Poetry Writing Post (Catharsis, 2022) All at once ctrpublisher (Pinterest, 2022) Where forever is just an amount ofa short time and falling out of love seems possible now more than ever. Read my other post Rest in love Read More Poetry All at once Read More Load More Stay Connect. Instagram Pinterest
Author: Citra Nilakresna Dewi
A brief history of John Singer Sargent’s “Carnation, Lily, Lily, Rose”
The story behind John Singer Sargent’s artwork Carnation, Lily, Lily, Rose (1885-1886) is an oil on canvas painting by American artist John Singer Sargent. The painting depicts two small children dressed in a vintage white long dress who are lighting lanterns in a garden with pink roses that seems to be spreading all over the place, with accents of yellow carnations and tall white lilies behind them. The main objects are the daughter of the illustrator Frederick Barnard – a dear friend of the artist. On the right side is Dolly Barnard (11 years old), while on the left side is Polly Barnard (7 years old). The inspiration for the unique lighting effect came during Sargent’s trip to River Thames at Pangbourne with his fellow American artist Edwin Austin Abbey in September 1885. He saw lanterns hanging among trees and lilies during the journey while boating. At that moment, he had this urge to capture the precise light level at dusk, so he painted the picture en plein air – a French term for ‘painting outdoors’ perfectly mixed with an impressionist style. He would place his easel and other tools beforehand and pose his models in anticipation of the few moments when he could paint it at a perfect time. From September to November 1885, he painted its artwork in the few minutes when the light began to turn its color – blending in perfectly, catching its delicate shades before the light faded into the evening when the sun started to sets as far to the southwest. The flowers in the garden seem like it has died and been replaced with artificial flowers as summer has turned into autumn; as expected, something would change when the seasons change. He finished this artwork the following summer at Millet’s new home nearby Broadway by the end of October 1886. The painting is dominated by green foliage, with no horizon that, in other words, seems to give a sense of depth. Carnation, Lily, Lily, Rose is set in an English garden at Farnham House on Broadway in the Cotswolds, where Sargent spent the summer with Francis David Millet around 1885, shortly after moving to England from Paris. Carnation, Lily, Lily, Rose was first exhibited in the Royal Academy’s Summer Exhibition in 1887. The painting received a critical reception from its audiences. However, it also received praises and well-deserved recognition from audiences and critics and is known as an “extremely original and daring essay in decoration.” The Royal Academy immediately purchased the painting for the British nation through Chantrey Bequest, a special trust fund established by Sculptor Sir Francis Chantrey in 1875. Royal Academy President Lord Leighton and the other Royal Academicians, including Sir Lawrence Alma-Tadema and William Quiller Orchardson, supported the acquisition. Details Artist: John Singer Sargent Title: Carnation, Lily, Lily, Rose Date: 1885 – 1886 Style: Impressionism Genre: Genre painting Location: Tate Britain, London, UK Dimension: 153.7 cm x 174 cm Oil on canvas The viewers can visit its painting at Tate Britain, London, UK. It has now become one of the gallery’s most loved paintings. Tate ↗ Reference Wikipedia ↗ Wikiart ↗ Reference Royal Academy ↗ Reference
When love comes knocking
when love comes knocking(at my door) ctrpublisher (Pinterest, 2022) Love came when I started to look for other things in life – a new perspective; a new way of thinking Poetry Writing Post (Catharsis, 2022) He came when I least expected it. Read my other post Rest in love Read More Poetry All at once Read More Load More Stay Connect. Instagram Pinterest
About Girl with a Pearl Earring by Johannes Vermeer
The Girl with a pearl earring (meisje met de parel) is an oil on canvas by Dutch Golden Age painter Johannes Vermeer in 1665. This work of art has been in the collection of the Mauritshuis in The Hague since 1902 and has been the subject of various literary as well cinematic treatments. Girl with a pearl earring is not a portrait but a ‘tronie’ – a painting of an imaginary figure. In Dutch, it means the head of an ideal “type,” like “a soldier” or “a musician” – or in this case, “a young beauty.” The painting depicts a European girl wearing an exotic dress, an oriental turban, and the famous eye-catching pearl earring. Girl with a pearl earring portrays a young woman in a dark, shallow space, an intimate setting that exclusively draws the viewer’s attention to her. In this painting, the girl wears a blue and gold turban, a titular pearl earring, and a gold jacket beneath with a visible white collar. Caught in a fugitive moment, she turns her head over her shoulder, meeting the viewer’s gaze with her eyes wide and lips parted as if about to speak. Her enigmatic expression and the mystery of her identity are what intrigues the painting more. The Girl with a Pearl Earring Title: The Girl with a pearl earring (meisje met de parel) Artist: Johannes Vermeer Year: 1665 Style: Baroque Genre: Portrait, tronie Dimension: 46.5 cm x 40 cm Location: Mauritshuis, The Hague, Netherlands Oil on canvas
Voltage by Dorothea Tanning
Dorothea Tanning was an American Surrealist artist who was born in Galesburg, Illinois, USA, in 1910. She was a successful commercial artist while continuing to pursue her painting. “Art has always been the raft onto which we climb to save our sanity. I don’t see a different purpose for it now“ She described most of her artwork with an exciting coefficient between the objects and its styles, which successfully caught many viewers’ attention. Her work of art was notable for its interest in actual female experience while exploring the unconscious – the inner, deepest dreams – and creativity. Most of her Surrealist artwork reveals disheveled female figures in domestic settings, depicted in a state of sensual reverie, to subvert gender expectations. In contrast, others take the more traditional route of assembling mismatched objects into strange still-lifes, to no less intriguing or disquieting effect, quite the opposite of her imagery. Tanning’s artwork and this one are featured in the Fantastic Women Exhibition. The painting is now in a private collection in Germany. Unfortunately, there is still no further details information about this artwork. Voltage Artist: Dorothea Tanning Title: Voltage Date: 1942 Style: Surrealism Subject & Object: Nudity Dimension: 28.3 cm x 30.8 cm Location: Private Collection, Germany Oil on canvas
Fundamental
Poetry Writing Post (Catharsis, 2022) fundamental ctrpublisher (Pinterest, 2022) I’m willing to fight back for what’s mine and let go of what’s not. Read my other post Rest in love Read More Poetry All at once Read More Load More Stay Connect. Instagram Pinterest
Il canto dello Stornello by Silvestro Lega
Il canto dello Stornello (The Folk Song) painted by Il canto dello Stornello in 1868 ITALIAN PAINTINGS Artist: Silvestro Lega Title: Il canto dello Stornello (The Folk Song) Date: 1868 Style: Realism Dimension: 158 cm x 98 cm Location: Palazzo Pitti, Florence, Italy Oil on canvas
Before I lose it all
Poetry Writing Post (Catharsis, 2021) before i loseit all ctrpublisher (Pinterest, 2022) I’m afraid that if I have to face it again I’ll lose myself completely. Read my other post Rest in love Read More Poetry All at once Read More Load More Stay Connect. Instagram Pinterest
Nothing such as too late
Poetry Writing Post (Catharsis, 2021) nothing such as ‘too late’ ctrpublisher (Pinterest, 2022) There’s nothing such as ‘too late’ for a true love. Read my other post Rest in love Read More Poetry All at once Read More Load More Stay Connect. Instagram Pinterest
Giorgione Homage to a Poet
The subject of this painting is dubious – a melancholy man figure in crown sits with book in between his feet as a little boy approached him. A young man sitting on the step plays a lute while another man kneeling at front as he offers a bowl of flowers. All seems like have taken off their hats respectfully. On the left side, there is a hermit appears in a cave in the rock face. The meaning of the figure remains unknown. Artist: Giorgione Title: Omaggio a un poeta (Homage to a Poet) Date: Early 16th century Art movement: High Rennaissance Dimension: 597 cm x 489 cm Location: The National Gallery, London, UK Oil on wood